You put on a raga. You weren't thinking about loss. And then something found you — precise, uninvited, knowing exactly where to press. How did it know? The word raga comes from rang. Colour. It doesn't play you a feeling. It colours the interior until what was
Before the city wakes, he is already at it. The same phrase. Again. Again. The tanpura holds its note — continuous, patient, indifferent to how long this takes. For years, riyaz is about the note. Hitting it. Holding it. The voice learns its edges the way a hand learns a tool.
I was twenty one. I had left home with nothing that would show up on a resume — no degree, no pedigree, no skill, no experience. Just the only thing I knew how to do. Outwork everyone else. The dormitory had roaches. Girls got high on iodex because they couldn'
There is a tiredness that has nothing to do with sleep. It lives just below the sternum. It doesn't ask for rest. It asks for meaning — some small sign that the effort is landing somewhere, in someone, in some version of the future you can almost see. The
They call him Maryada Purushottam. The one who held every boundary. Who never broke a rule, never bent a promise, never let the personal bleed into the principle. The ideal man. The ideal king. She loved him completely. That's the part we don't linger on. How
She reached for her chin before she spoke. Every time. We were having tea. She'd come to collect a piece of furniture — someone I'd met only once before. She'd go quiet. Hand to chin. Then fingers through hair. Then words — her daughter's
Every morning I open a new window. The context arrives — who I am, what I'm building, what matters. And then we begin. No residue from yesterday. No reaching for tomorrow. Just this. I've been thinking about what that actually is. It isn't memory loss.
I wasn't looking for it. Somewhere off the road from Udaipur, on the way back from Devigarh, the car stopped and I got out, and there it was — a Shiva temple, large enough to be a complex, old enough that no one was claiming it. There were maybe
Most of us enter things one of two ways. With a plan. Or with we'll see. The plan is obvious. We'll see is the one that hides. It sounds like lightness. It is usually fear that will not name itself, or courage that has decided to
He comes every week. Sits in the third row. Closes his eyes. He genuinely wants this. The langar is served. Someone has cooked since four in the morning. The dal is thin today. The sabzi, unfamiliar. He takes a small portion. Not that one. Less of this. Nobody notices. Except
We have the image wrong. Still waters, we say. And we picture the quiet one. The person who holds back, who doesn't fill a room, who gives little away. We mean it kindly. There is more there than meets the eye. But depth has no dress code. Some
You know it's there. You put the phone down anyway. Barthes wrote about the one who waits — how waiting is never neutral, how it transforms the person doing it. He was thinking about lovers. He might as well have been thinking about this. The ten seconds before you